Ryan Mendoza is an artist I discovered a little while back
but has really inspired my work. I love his work for the expressive way he
applies paint and the limited palette he uses. He has a very painterly style
and although he shrouds his figures in a darker light, he conveys a feeling and
emotion in his paintings that almost tells a story. On his website a passage
reads, "In the past, a family photographer would turn on the spotlights to
capture his customers’ features with clarity and exactitude. But when he
invites them into his studio, Mendoza turns the lights out. For the privacy of
the dead does not require less discretion than the privacy of the living. The
dead cannot defend themselves. Their fear of the dead is even greater than our
own. Mendoza knows this and covers his characters with a veil of half-light. But,
sometimes, he allows a child to enter his studio who, in the painting of some
of his pictures, naively draws an object to so identify a life that is no
longer. Because not much remains of a life: the memory of a tricycle, or a top
hat that one finds forgotten in a cupboard.” (http://www.ryan-mendoza.com/index.php?/about/bla/)
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